(1)網站類型:個人插畫與藝術創作
(2)網站名稱:Matthieu
(3)網址:
官網 http://www.mcbess.com/about.html
作品 http://www.ideamsg.com/2011/02/mcbess-illustrations/
(4)作者名/簡介:Matthieu Bessudo
(5)網站介紹:
Mcbess的風格非常獨特,讓人一見難忘。
Mcbess或者稱為Matthieu Bessudo是一個非常天才的法國插畫家,
生活在倫敦,他有著相當倔強的個性,這使得他的作品相當的引人注目。
他那黑白的世界裡充滿了有趣和誇張的角色,畫面表現風格有著獨特的複古風格。
Mcbess的創作混合了“守舊派”卡通風,搖滾,懷舊以及現代元素等內容。
他可以把一切事物融合到他的作品中。
2011.09.09.文字描述轉載自《靈感日報》http://www.ideamsg.com/
2011年9月9日 星期五
2011年6月1日 星期三
插畫/日本插畫家 /白兔
插畫/水彩插畫 /セミコロン
(1)網站類型:插畫
(2)網站名稱:セミコロン
(3)網址: BLOG→http://www.adachi.ne.jp/users/jerky/
(4)作者名/簡介:セミコロン
(5)網站介紹:
日本水彩插畫家。跟我以往喜歡的詭異華麗風格不同,他的作品幾乎都是水彩插畫,有一種安詳柔和的感覺,非常道地的日式柔和插畫風,看很多濃烈風格的插畫後,看看這種清淡口味的,覺得有種被洗滌心靈的感覺。
(2)網站名稱:セミコロン
(3)網址: BLOG→http://www.adachi.ne.jp/users/jerky/
(4)作者名/簡介:セミコロン
(5)網站介紹:
日本水彩插畫家。跟我以往喜歡的詭異華麗風格不同,他的作品幾乎都是水彩插畫,有一種安詳柔和的感覺,非常道地的日式柔和插畫風,看很多濃烈風格的插畫後,看看這種清淡口味的,覺得有種被洗滌心靈的感覺。
插畫/The Art of L.D.Austin /L.D. Austin/靠北邊強的插畫作者作品網站
(1)網站類型:插畫
(2)網站名稱:The Art of L.D.Austin
(3)網址:作品網站→http://www.ldaustinart.com/
BLOG→http://ldaustinart.blogspot.com/
(4)作者名/簡介:L.D. Austin
(5)網站介紹:
靠北邊強的插畫家,光線和陰影和色彩表現美得不得了,3D建模精緻到一個里程碑,但是這作者似乎喜歡火影忍者......。
(2)網站名稱:The Art of L.D.Austin
(3)網址:作品網站→http://www.ldaustinart.com/
BLOG→http://ldaustinart.blogspot.com/
(4)作者名/簡介:L.D. Austin
(5)網站介紹:
靠北邊強的插畫家,光線和陰影和色彩表現美得不得了,3D建模精緻到一個里程碑,但是這作者似乎喜歡火影忍者......。
2011年5月19日 星期四
產設、工設/Fancy/商品介紹網站
2011年5月10日 星期二
插畫‧藝術創作/Daniel James Diggle/點畫創作
(1)網站類型:插畫‧藝術創作
(2)網站名稱:無
(3)網址:http://www.danieldiggle.com/no.php
作品圖片記錄:http://www.flickr.com/photos/26065287@N02
(4)作者名/簡介:Daniel James Diggle
(5)網站介紹:
它的創作元素似乎有機可尋,
數字、幾何形與有機型的組合是他最常見的手法,
帶點時尚感的氛圍。
藝術創作/STE'PHANE HALLEUX/斯特凡(Halleux)/各種機械雕塑
(1)網站類型:藝術創作
(2)網站名稱:STE'PHANE HALLEUX
(3)網址:http://www.stephanehalleux.com/
(4)作者名/簡介:
斯特凡(Halleux)。比利時藝術家。
Études
1992-1995 : Graduat en illustration à Saint-Luc Liège (Belgique)
Expériences professionelles
1995-1996 : Coloriste au studio de dessins animés Tiramisu, Luxembourg
1996-2001 : Layoutiste au studio de dessins animés Neuroplanet, Luxembourg
2001-2005 : Administrateur délégué d'un dépôt-vente de meuble "Troc-en-Stock", Messancy
Technique
Technique mixte (cuir, métal, pâte à bois, matériaux récupérés).
(5)網站介紹:
各式各樣的機器零件與皮葛複合式組合的創作作品,
其造型每一隻都獨具個性,
仿彿偶動畫角色設計一般,
且相當令人回味~~!!!
2011年5月9日 星期一
插畫/江杉/插畫作品
(1)網站類型:插畫
(2)網站名稱:無(個人作品網站)
(3)網址:http://www.everynicething.com/#1226580/Wired-Magazine
(4)作者名/簡介:江山。
作者江杉生於上海,畢業於上海大學美術學院,後於愛丁堡藝術學院取得碩士學位。 2005年為英國的設計工作室ILoveDust從事設計工作至今。曾為Coca Cola,Nike,Kid Robot,New Balance等設計和插圖。在上海及安特衛普均作過個人作品展。
(5)網站介紹:
作品風格有些許日系的影子,
整體作品表現有著超現實主義為基調的元素發展。
2011年5月3日 星期二
插畫/Contemporary Mythology by Caitlin Hackett/Caitlin Hackett
(1)網站類型:藝術插畫
(2)網站名稱:Contemporary Mythology by Caitlin Hackett
(3)網址:http://caitlinhackett.carbonmade.com/
http://www.society6.com/studio/caitlinhackettart/page/1
(4)作者名/簡介:Caitlin Hackett
(5)網站介紹:
一位作品精湛地無須過多廢話描述的美女創作者,請看作品吧~~!!!
(6)作者自我描述:
In my work I am exploring the relationship between humans and animals; the idea of the human denial of our animal nature and of humans as the dominant species, as well as the mutation of the animal created by the human interpretation of the animal. My work alludes to the boundaries that separate humanity from animals both physically and metaphysically, as well as the objectification of and personification of animals. I invent creatures, anthropomorphic, mutated, or pseudo mythical in imagery, using my imaginary world and bringing it into the physical world in an attempt to create a language that speaks about the human animal relationship and the natural and unnatural elements of it. I am faced with the fact that we live in a planet in decline, where almost every natural ecosystem in the world is slipping away. Human kind has created a planet of refugees; animals forced to flee ever farther from the insatiable encroachment of urban development, victims of a war for space which they cannot hope to win. My drawings refer to this decline and to the refugees it has created. I am left with the question of what is natural; are we (human beings) still a part of nature? If so, does that make all that we have created, cities, vehicles, factories, all technology, part of nature as well? As we move into an increasingly plastic, electronic, and robotic culture how can we define our own fundamental nature as the nature of the world around us changes and our metaphysical identity evolves into something beyond the human as an animal? As we separate from our animal nature, will we be able to still see and understand the importance of other animals and our relationship to them? As we are able to remove ourselves from our own physical bodies and to come to experience life through the metaphysical, the digital, and the psychic, how will this distance from our own bodies and the physical experience of the world affect our relationship with nature and the way we see creatures who exist completely within their physical bodies and are defined by their physical needs?
As my work evolves I am beginning to think more and more about the way in which people bestow identity and how, deprived of identity, animals are reduced to a kind of living taxidermy, a costume of themselves, subject to human apathy and mutated by human ideals of beauty or monstrosity. I am telling a story about disappearance and the rapid and extravagant destruction of the human-animal, and how this loss of our animal nature is affecting the way human kind views the animal world.
I am describing these questions through the use of paper and ink in the form of life sized anthropomorphic creatures, which are installation pieces. Done entirely in ballpoint pen, ink, graphite, watercolor and colored pencil, these massive creatures are a balance between the power and physical presence of the life sized and the intensity of the dense, delicate, and time consuming detail of the ballpoint pen and ink. Because of their great size and vivid detail these animals are released into our world and become characters that must be addressed in terms of our physical space, and thus granted an identity.
(2)網站名稱:Contemporary Mythology by Caitlin Hackett
(3)網址:http://caitlinhackett.carbonmade.com/
http://www.society6.com/studio/caitlinhackettart/page/1
(4)作者名/簡介:Caitlin Hackett
(5)網站介紹:
一位作品精湛地無須過多廢話描述的美女創作者,請看作品吧~~!!!
(6)作者自我描述:
In my work I am exploring the relationship between humans and animals; the idea of the human denial of our animal nature and of humans as the dominant species, as well as the mutation of the animal created by the human interpretation of the animal. My work alludes to the boundaries that separate humanity from animals both physically and metaphysically, as well as the objectification of and personification of animals. I invent creatures, anthropomorphic, mutated, or pseudo mythical in imagery, using my imaginary world and bringing it into the physical world in an attempt to create a language that speaks about the human animal relationship and the natural and unnatural elements of it. I am faced with the fact that we live in a planet in decline, where almost every natural ecosystem in the world is slipping away. Human kind has created a planet of refugees; animals forced to flee ever farther from the insatiable encroachment of urban development, victims of a war for space which they cannot hope to win. My drawings refer to this decline and to the refugees it has created. I am left with the question of what is natural; are we (human beings) still a part of nature? If so, does that make all that we have created, cities, vehicles, factories, all technology, part of nature as well? As we move into an increasingly plastic, electronic, and robotic culture how can we define our own fundamental nature as the nature of the world around us changes and our metaphysical identity evolves into something beyond the human as an animal? As we separate from our animal nature, will we be able to still see and understand the importance of other animals and our relationship to them? As we are able to remove ourselves from our own physical bodies and to come to experience life through the metaphysical, the digital, and the psychic, how will this distance from our own bodies and the physical experience of the world affect our relationship with nature and the way we see creatures who exist completely within their physical bodies and are defined by their physical needs?
As my work evolves I am beginning to think more and more about the way in which people bestow identity and how, deprived of identity, animals are reduced to a kind of living taxidermy, a costume of themselves, subject to human apathy and mutated by human ideals of beauty or monstrosity. I am telling a story about disappearance and the rapid and extravagant destruction of the human-animal, and how this loss of our animal nature is affecting the way human kind views the animal world.
I am describing these questions through the use of paper and ink in the form of life sized anthropomorphic creatures, which are installation pieces. Done entirely in ballpoint pen, ink, graphite, watercolor and colored pencil, these massive creatures are a balance between the power and physical presence of the life sized and the intensity of the dense, delicate, and time consuming detail of the ballpoint pen and ink. Because of their great size and vivid detail these animals are released into our world and become characters that must be addressed in terms of our physical space, and thus granted an identity.
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